Durrenmatt's apparently conflicting statements about his central concerns have baffled scholars attempting to interpret his works. In his critical approach to Durrenmatt, Timo Tiusanen emphasizes the author's relation to the theater, and analyzes the thirteen original stage plays, eight radio plays, and five adaptations, using the special concept of "scenic image" developed in an earlier study of O'Neill. Four books by Durrenmatt on the theater and politics are related to the dramatist's creative practice, and his six books of prose are also carefully considered. Exploring the writer's career to reconcile conflicting attitudes that have been taken toward his work, Timo Tiusanen sees Durrenmatt's writings as representing a persistent effort to express artistically a paradoxical view of the world. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.