Early modern drama is steeped in biblical language, imagery and stories. This collection examines the pervasive presence of scripture on the early modern stage. Exploring plays by writers such as Shakespeare, Marlowe, Middleton, and Webster, the contributors show how theatre offers a site of public and communal engagement with the Bible.
Author Biography:
PATRICIA CANNING Postdoctoral Teaching Assistant in the School of English, Queen's University, Belfast, Northern Ireland
DERMOT CAVANAGH Senior Lecturer in English, Department of English Literature, University of Edinburgh, UK
PAUL CEFALU Associate Professor of English, Department of English, Lafayette College, USA
MICHAEL DAVIES Senior Lecturer in English, School of English, University of Liverpool, UK
BEATRICE GROVES Lecturer in Renaissance English Literature, Trinity College, University of Oxford, UK
HANNIBAL HAMLIN Associate Professor of English, Department of English, Ohio State University, USA
JUDITH HUDSON PhD candidate at Birkbeck College, University of London, UK
EMER MCMANUS PhD candidate, School of English, University College, Dublin, Ireland
EMMA RHATIGAN Lecturer in English, School of English Literature, Language and Linguistics, University of Sheffield, UK
HELEN WILCOX Professor of English, Bangor University, Wales