Over the course of his career, Sufjan Stevens has blurred distinctions between the major and the minor, between the details that color our existence and the big events that frame our lives. He has turned historical footnotes of States into kaleidoscopic pop, and rendered the immeasurable grief of loss with intimacy and grace.

His new album ‘Javelin’—Sufjan’s first solo album of songs since 2020’s The Ascension and his first in full solo singer-songwriter mode since 2015’s Carrie & Lowell—bridges all these approaches. Sufjan uses the quietness of a solitary confession to ask universal questions in songs we can share communally.

Where The Ascension, lauded by The New York Times as “a cry of despair and prayer for redemption,” used ornate but urgent electronics to square up to its moment, ‘Javelin’ begins more like a self-portrait, detailed yet plain. Yet whether listened to individually or as an album, these 10 songs become something much bigger, the entire experience of Sufjan’s 25-year career expressed in four-minute bursts. Choral, orchestral, and electric wonder: it all shows in ‘Javelin’, all of it animating these songs as full spectacles. In each song we hear the vulnerability and candor of quiet starts, then Sufjan raising the stakes.

On ‘Javelin’, Sufjan returns as we may know him best, offering vulnerable reflections on love and relationships, so that in listening we may see ourselves more fully.