Non-Fiction Books:

Performing Race and Erasure

Cuba, Haiti, and US Culture, 1898–1940
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Description

In this book, Shannon Rose Riley provides a critically rich investigation of representations of Cuba and Haiti in US culture in order to analyze their significance not only to the emergence of empire but especially to the reconfiguration of US racial structures along increasingly biracial lines. Based on impressive research and with extensive analysis of various textual and performance forms including a largely unique set of skits, plays, songs, cultural performances and other popular amusements, Riley shows that Cuba and Haiti were particularly meaningful to the ways that people in the US re-imagined themselves as black or white and that racial positions were renegotiated through what she calls acts of palimpsest: marking and unmarking, racing and erasing difference. Riley’s book demands a reassessment of the importance of the occupations of Cuba and Haiti to US culture, challenging conventional understandings of performance, empire, and race at the turn of the twentieth century. 

Author Biography:

Shannon Rose Riley is an interdisciplinary artist and scholar. She is Associate Professor, Chair of the Department of Humanities, and Coordinator of the Creative Arts Program at San José State University, USA, and is co-editor, with Lynette Hunter, of Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies (2009).   
Release date Australia
June 17th, 2016
Audience
  • Postgraduate, Research & Scholarly
Edition
1st ed. 2016
Illustrations
6 Illustrations, black and white; XIII, 273 p. 6 illus.
Pages
273
Dimensions
148x210x21
ISBN-13
9781137592101
Product ID
24564017

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