“As can be seen, this is very generous measure with the complete Ma mère l’oye plus the Daphnis et Chloé Suite No. 2 ..... with an exciting Boléro and a splendid La valse, played with an exhilaratingly spontaneous rhythmic freedom and, like Boléro, producing
a compulsive climax.

Boléro has lots of style with the glissando inherent in the melody first hinted at in the early presentations of the tune and becoming more overt towards the end...the sound gives the music-making a sense of spectacle and bite... The opening
of Boléro is played pianissimo ... then the climax is overwhelming. It is good to see Frémaux back in the recording studio for he generally has the gift of bringing everything readily to life.” (Gramophone)