Lee Hazlewood was a late bloomer. Following a meandering career as a disc
jockey, producer, songwriter, label executive and solo artist, Hazlewood hit the
jackpot at the ripe age of 37 with “These Boots Are Made For Walkin’,”
the song Nancy Sinatra took to the top of the charts on both sides of the
Atlantic. Its success convinced MGM Records that Hazlewood was a bankable star,
and they signed him as an artist in his own right the same year. But as a
self-described “non-singer” whose cult 1963 debut, Trouble Is A Lonesome
Town, was
little more than a happy accident, they’d perhaps gotten the wrong end of the
stick where Lee was concerned.
In three years on the label, Hazlewood delivered three albums and sundry odds and ends, beginning with 1966 album The Very Special World Of Lee Hazlewood. The LP found Hazlewood gunning–in as much as he ever did–for commercial success, blending country, pop, novelty, mariachi, and lounge music into something unusually of-the-moment.
Despite MGM’s best efforts, Hazlewood proved difficult to market without a Sinatra to temper his baritone drawl, and you’d suspect Hazlewood wasn’t taking it quite as seriously as they might have hoped anyway. By 1967, Hazlewood had founded the LHI imprint and was busy building his own empire–one we’ve been lovingly archiving for the past few years. We now present this missing links in the story: The Very Special World Of Lee Hazlewood, Lee Hazlewoodism: Its Cause and Cure (1967) and Something Special (1968). Welcome, then, to Hazlewood’s magnificent MGM years.