ORPHAN, CLOCK KEEPER, AND THIEF, Hugo lives in the walls of a busy Paris
train station, where his survival depends on secrets and anonymity. But when his
world suddenly interlocks with an eccentric, bookish girl and a bitter old man
who runs a toy booth in the station, Hugo's undercover life, and his most
precious secret, are put in jeopardy. AÂ cryptic drawing, a treasured notebook,
a stolen key, a mechanical man, and a hidden message from Hugo's dead father
form the backbone of this intricate, tender, and spellbinding mystery.
Combining elements of picture book, graphic novel, and film, Caldecott Honor
artist Selznick breaks open the novel form to create an entirely new reading
experience. Age 9+.
Accolades
Winner of Caldecott Medal 2008.
Shortlisted for United States National Book Awards: Young
People's LiteÂrature 2007.
Author Biography
Brian Selznick is the illustrator of the Caledcott Honor winner, The
Dinosaurs of Waterhouse Hawkins, and the New York Times Best Illustrated Book
Walt Whitman: Words for America, both by Barbara Kerley, as well as the Sibert
Honor Winner When Marian Sang, by Pam Muñoz Ryan, and numerous other celebrated
picture books and novels. Brian Selznick lives in Brooklyn, New York and San
Diego,California.
Review
Publishers Weekly: Here is a true masterpiece-an artful blending of
narrative, illustration and cinematic technique, for a story as tantalizing as
it is touching. Twelve-year-old orphan Hugo lives in the walls of a Paris train
station at the turn of the 20th century, where he tends to the clocks and
filches what he needs to survive. Hugo's recently deceased father, a
clockmaker, worked in a museum where he discovered an automaton: a human-like
figure seated at a desk, pen in hand, as if ready to deliver a message. After
his father showed Hugo the robot, the boy became just as obsessed with getting
the automaton to function as his father had been, and the man gave his son one
of the notebooks he used to record the automaton's inner workings. The plot
grows as intricate as the robot's gears and mechanisms […] To
Selznick's credit, the coincidences all feel carefully orchestrated; epiphany
after epiphany occurs before the book comes to its sumptuous, glorious end.
Selznick hints at the toymaker's hidden identity […] through impressive use
of meticulous charcoal drawings that grow or shrink against black backdrops, in
pages-long sequences. They display the same item in increasingly tight focus or
pan across scenes the way a camera might. The plot ultimately has much to do
with the history of the movies, and Selznick's genius lies in his expert use of
such a visual style to spotlight the role of this highly visual media.
A standout achievement. Ages 9–12. (Mar.) Copyright © Reed Business
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