Rona Munro's vividly imagined historical cycle brings to life three generations of Stewart kings who ruled Scotland in the tumultuous fifteenth century.
James I: The Key Will Keep the Lock explores the complex character of the colourful Stewart King – poet, lover and law-maker.
Captured at the age of 13 and crowned King of Scots in an English prison, James I of Scotland is delivered home 18 years later with a ransom on his head and a new English bride. The nation he returns to is poor: the royal coffers empty and his nobles ready to tear him apart at the first sign of weakness. Determined to bring the rule of law to a land riven by warring factions, James faces terrible choices if he is to save himself, his Queen and the crown.
James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.
James II becomes the prize in a vicious game between Scotland's most powerful families. Crowned when only six, abandoned by his mother and separated from his sisters, the child King is little more than a puppet. There is only one friend he can trust: William, the future Earl of Douglas. As James approaches adulthood in an ever more threatening world, he must fight to keep his tenuous grip on the crown while the nightmares of his childhood rise up once more.
James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.
Charismatic, cultured, and obsessed with grandiose schemes that his nation can ill afford, James III is by turns loved and loathed. Scotland thunders dangerously close to civil war, but its future may be decided by James' resourceful and resilient wife, Queen Margaret of Denmark. Her love and clear vision can save a fragile monarchy and rescue a struggling people.
Each play stands alone as a unique vision of a country tussling with its past and future; viewed together the cycle creates an intricate and compelling narrative on Scottish culture and nationhood, full of playful wit and boisterous theatricality.
The James Plays premiered at the Festival Theatre, Edinburgh, in August 2014 as part of the Edinburgh International Festival, before transferring to the National Theatre, London. The original three-play cycle was named Best New Play at the Evening Standard Theatre Awards 2014.
'A towering achievement... a modern classic'
— Evening Standard
'An astonishing dramatic achievement... Munro's script is the star... a feast of theatrical might and blistering emotion'
— Telegraph
'Full of topical resonance... These are unequivocally plays for today... Munro skilfully interweaves the personal and the political'
— Guardian
'Wit, punch and accessibility... this is theatre that mixes the personal with the political to fabulous effect. ... The scope is Shakespearean, yet Munro applies a contemporary sensibility to her medieval characters, who talk and swear in modern tongue'
— The Times
'Rona Munro's three plays can stand confidently alone but, taken together, have a scale and reach that is thrilling and satisfying in equal measures'
— Independent
Best New Play, Evening Standard Awards
Author Biography:
Rona Munro is a writer who has written extensively for stage, radio, film and television.
Her plays include: James V: Katherine (Raw Material and Capital Theatres tour, 2024); Mary (Hampstead Theatre, 2022); James IV: Queen of the Fight (National Theatre of Scotland, 2022); a stage adaptation of Mary Shelley's Frankenstein (UK tour, 2019); a stage adaptation of Louis de Bernières' novel Captain Corelli's Mandolin (UK tour & West End, 2019); Scuttlers (Royal Exchange, Manchester, 2015); The James Plays trilogy (National Theatre of Scotland, the Edinburgh International Festival and the National Theatre of Great Britain, 2014); Donny's Brain (Hampstead Theatre, 2012); Pandas (Traverse, 2011); Little Eagles (Royal Shakespeare Company, 2011); The Last Witch (Traverse Theatre & Edinburgh International Festival, 2009); Long Time Dead (Paines Plough & Drum Theatre Plymouth, 2006); The Indian Boy (RSC, 2006); Iron (Traverse Theatre, 2002; Royal Court, London, 2003); The Maiden Stone (Hampstead Theatre, 1995); and Bold Girls (7:84 and Hampstead Theatre, 1990).
She is the co-founder, with actress Fiona Knowles, of Scotland's oldest continuously performing, small-scale touring theatre company, The Msfits. Their one-woman shows have toured every year since 1986.
Film and television work includes the Ken Loach film Ladybird Ladybird, Aimee and Jaguar and television dramas Rehab (directed by Antonia Bird) and BAFTA-nominated Bumping the Odds for the BBC. She has also written many other single plays for television and contributed to series including Casualty and Dr Who. Most recently, she wrote the screenplay for Oranges and Sunshine, directed by Jim Loach and starring Emily Watson and Hugo Weaving.
She has contributed several radio plays to the Stanley Baxter Playhouse series on BBC Radio 4.
