The Myth of the Happily Ever After is a homegrown project that represents a reaction to their #1 album ‘A Celebration of Endings’ and a rapid emotional response to the turmoil of the past year. It is the ying to the yang of ‘A Celebration’, the other-side-of-a-coin, a before-and-after comparison: their early optimism of 2020 having been brought back to earth with a resounding thud. It’s the product of a strange and cruel time in our lives, but one that ultimately reinvigorated Biffy Clyro.

Grounded by lockdown, Biffy Clyro recorded The Myth of the Happily Ever After in a completely different way than the ordinary, recording for just six weeks in their rehearsal room (converted DIY style into a fully functional studio by rhythm section brothers James and Ben Johnston) in a farmhouse closer to their homes. The trio went in with the intention of completing some unfinished songs from their last record but instead The Myth of the Happily Ever After took over as it started to take shape in late 2020, with everything written and recorded within a ten-mile radius. Traditionally, 90% of Biffy songs have been written in Scotland before the band head to London or Los Angeles for recording, but this represented the first time they’ve ever recorded in their homeland.