Edward Lucie-Smith has published more than more than sixty books about art, chiefly but not exclusively about contemporary work. A number of his art books, among them Movements in Art since 1945 , Visual Arts of the 20th Century, A Dictionary of Art Terms and Art Today are used as standard texts throughout the world. Movements in Art since 1945, first published in 1969, has been continuously in print since that date. He has been curator of a number of exhibitions, including three Peter Moores Projects at the Walker Art Gallery Liverpool, (surveys of contemporary British art), The New British Painting and two artist retrospectives, Lin Emery and George Dunbar, both for the New Orleans Museum of Art. He was curator of 'New British Art'. at the Orion Gallery in Ostend (April-June 2001), of 'New Classicism: Artists of the Ideal', at Palazzo Forti, Verona (April-September 2002), and of 'Gods Becoming Men' at the Frissiras Museum, Athens [July-September 2004). He has recently become the curator of the new Bermondsey Project Space in London S.E.1 James Cahill combines writing, research and painting with a role at one of London's leading contemporary art galleries. He studied at the Courtauld Institute, where his research focused on British twentieth-century artists' explorations of crucifixion and obscenity. He is the co-author a monograph on British artist Angus Fairhurst (2009), and has written catalogue essays for a number of contemporary art exhibitions, as well as reviews for various publications. He has lectured at the Architectural Association London, on the paintings of Francis Bacon, and at Oxford University on Renaissance iconography in contemporary art. His current research looks at the afterlife of ancient Greece and Rome in contemporary visual culture.