The winner of the prestigious literary award that has launched over a hundred authors – the Australian/Vo­gel's Literary a­ward

Even before I knew anything about Granddad Les, Wally and me sometimes dared each other to see how close to the knackery we could get. It was way out in the bottom paddock, and Dad had banned us from going further than the dam. Wally said it was because the whole paddock was haunted. He said he could see ghosts wisping in the grass like sheets blown from the washing line. But even then I knew for sure that was a lie.

Ten-year-old Cub lives with her parents, older brother Cassie, and twin brother Wally on a lonely property bordering an abandoned cattle farm and knackery. Their lives are shadowed by the infamous actions of her Granddad Les in his yellow weatherboard house, just over the fence.

Although Les died twelve years ago, his notoriety has grown in Cub's lifetime and the local community have ostracised the whole family.

When Cub's estranged aunt Helena and cousin Tilly move next door into the yellow house, the secrets the family want to keep buried begin to bubble to the surface. And having been kept in the dark about her grandfather's cri­mes, Cub is now forced to come to terms with her family's murky history.

The Yellow House is a powerful novel about loyalty and betrayal; about the legacies of violence and the possibilities of redemption.

Author bio:
Emily O'Grady was born in 1991 in Brisbane. Her fiction and poetry have appeared in, or are forthcoming in Review of Australian Fiction, Westerly, Australian Poetry Journal, The Lifted Brow, Kill Your Darlings, The Big Issue Fiction Edition and Award Winning Australian Writing. In 2012 she won the QUT Undergraduate Writing Prize, and in 2013 she won the QUT Postgraduate Writing Prize. In 2017 she placed second in the Rachel Funari Prize for Fiction, was shortlisted for the Queensland Premiers Young Publishers and Writers Award, and was longlisted for the Elizabeth Jolley Prize for Fiction. She co-edits Stilts Journal, and is currently completing a PhD in Creative Writing at Queensland University of Technology, where she also works as a Sessional Academic.