An anthology based on the Treatments 2019 / 2023 photographic series by Rappaport, made to accompany the 2022 exhibition at Material Gallery, and as a stand-alone anthology of artistic meditations on spousal loss and grief. The volume includes an essay by Michael Workman, with poetry collections "The Well: Grief Poems," by Rachel J. Webster, and Josh Honn's "We Fall: Migration."
Author Biography:
Mat Rappaport is an artist and filmmaker known for works that utilize mobile video, performance, and photography to explore habitation, mass-tourism, perception, and power as related to built environments. Recent projects include the Range Mobile Lab (RML) performances employing a 1995 GMC step van, augmented with external cameras that capture video from the surrounding environment and then projects the video onto the windows as the RML navigates the city. The Range Mobile Lab supports media performances, architectural collaborations, and direct community engagement. The RML continues Mat Rappaport's effort to shape the experience of urban environments through media-based interventions. In 2021 Rappaport completed his first feature documentary, touristic intents, which asks, "can a building be guilty?" by exploring the redevelopment of the Nazi resort in Prora, Germany. Rappaport's work has been exhibited in the United States and internationally in museums, galleries, film festivals, and public spaces. Recent projects have been featured during EXPO Chicago, the Chicago Architecture Biennial in 2019 and 2017, Anniversary of the Jewish Ghetto in Venice, Italy, and 2018 Ann Arbor Film Festival and performances with the Range Mobile Lab at the Museum of Contemporary Art in Chicago and the Block Museum at Northwestern University.Rappaport is an Associate Professor in Cinema and Television Arts at Columbia College in Chicago.
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