Twentieth Century Music and the Question of Modernity

By:

Eduardo de la Fuente

Format:

Paperback / softback

Series:

Routledge Advances in Sociology

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Description

In the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.

Author Biography:

Eduardo De La Fuente is a Lecturer in Sociology in the School of Social and Policy Studies at Flinders University in Australia.

Release date Australia

September 5th, 2012

Author

Eduardo de la Fuente

Audience

Postgraduate, Research & Scholarly

Illustrations

2 Tables, black and white

Pages

192

Series

Routledge Advances in Sociology

Dimensions

152x229x11

ISBN-13

9780415811439

Product ID

20873737

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